The Producer Behind the Music
Ramon F. Tenorio Jr.
Known as RAM.
Ghost producer and audio engineer with 30+ years of major-label experience. Based in the Philippines — working with the world.
The Producer Behind the Music
Ghost producer and audio engineer with 30+ years of major-label experience. Based in the Philippines — working with the world.
I'm Ramon F. Tenorio Jr. — a ghost producer, audio engineer, and sync composer who has spent over three decades making music that moves people, brands, and stories. You've probably heard my work without knowing it was mine. That's exactly the point.
My career began long before streaming, before DAWs became household items, and before "sync licensing" was a term most musicians knew. I learned my craft the hard way — in studios, on consoles, with tape. Every year since has sharpened the instinct for what makes a track emotionally undeniable.
Over three decades I've worked alongside internationally recognised artists — from Four Tops and Boney M to Haddaway, Udo Lindenberg, Xavier Naidoo, and Montel Jordan — doing live show production, arrangements, and studio work. On the corporate side, I've performed event live shows for BMW, Porsche, Mercedes-Benz, Volkswagen AG, Audi, FIFA, UEFA, F1, Microsoft, Siemens, Telekom, and delivered broadcast-ready productions for FIBA Europe and others.
None of that work carries my name publicly. That's the ghost producer's contract — your vision, my craft, your credit. And I've honored it for every project, every client, every decade.
After decades working across Europe — on stages, in studios, and behind corporate event productions — I now operate from Iloilo City in the Philippines. The time zone and location are different. The standard isn't.
What that means for clients: major-label quality production at a fraction of the cost, delivered by someone who has actually worked at that level. Not a bedroom producer learning the ropes — a seasoned professional who chose to work independently.
While other kids played outside, RAM was programming MIDI sequences on an Atari ST and a Commodore — machines that most people used for video games. The studio bug bit early and hard. That same year, he started playing keyboards with his father as a duo. By year's end, a full band. The obsession had officially begun.
A decade of playing keyboards — school stages, local bands, then international ones. Jazz, pop, R&B, dance, whatever the gig demanded. Europe. Russia. The United States. Every genre was a new classroom. By the time most producers were finding their sound, RAM had played through all of them.
Formally trained in audio engineering while simultaneously touring as keyboardist for Szenario Band. Studio sessions and mixing studies deepened the craft. TV credits arrived fast — live shows alongside Four Tops, Simon Webbe, and Florence Joy. A publishing and recording studio hired RAM as producer and engineer; he began touring with The Soultans and working with Mike Marshall — the songwriter behind I Got 5 On It and Rumours. Live shows with Haddaway, Xavier Naidoo, The Weather Girls, and Montel Jordan followed. Then a handshake changed everything: RAM met Frank Farian — the architect of Boney M and No Mercy — and joined his world. Atlanta. Nashville. Down to Miami for the Farian sessions. The network was international. The standard was uncompromising.
The pivot that defines everything. RAM steps fully into ghost production — writing, producing, arranging, and engineering work that goes out under other artists' names. The brief is theirs. The credit is theirs. The craft is entirely his. Corporate events for BMW, Porsche, Mercedes-Benz, Microsoft, FIFA, UEFA and dozens of the world's biggest brands fill the live calendar. The invisible work continues — and it continues to this day.
After decades operating across Europe — on stages, in studios, and behind some of the world's biggest corporate productions — RAM returns to the Philippines. POMM.PH is born: the production foundation from which everything that follows would grow. The time zone changes. The standard doesn't.
The ghost gets a name. RAMTUNES launches as a direct-access production house — 30+ years of invisible work now available with your name on the brief and his craft behind the music. Sync licensing, custom production, mixing and mastering, delivered with major-label quality at independent Philippines prices. Without the middleman. Without the markup. Human-crafted. Trailer-ready. Philippines-powered.
Three decades of international stages — from Europe to Asia, concert halls to festival main stages. Music direction, live mixing, and performance at the highest level.
Ghost production is one of the music industry's oldest and most respected traditions. The composer remains invisible; the artist or brand takes full credit. I've built a career honoring that arrangement.
When you commission ghost production from RAMTUNES, you receive full ownership of the finished track, stems, and composition. No co-writing credits unless you want them. Complete creative buyout. Your music, delivered.
Discretion is absolute. Every project operates under NDA if required. I do not discuss clients, placements, or projects publicly without explicit permission.
Who ghost production is for: artists who want a production level beyond their current studio access, brands that need custom music without an agency markup, and sync supervisors who need custom compositions fast.
Ghost production, sync composition, mixing & mastering.
Submit a confidential brief and get a response within 24 hours.
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